This site is part of the superjer.com network

Buffy Reviews & Media by Mikejer
home
reviews
podcast
articles
links
discussion


THE LONG WAY HOME PT. 4 (8x04)

A review by Mikelangelo "MikeJer" Marinaro

Writer: Joss Whedon
Artist: Georges Jeanty
- Quick Links

- Review

An improvement over The Long Way Home Pt. 3 (8x03), but not by much. That would be my synopsis of this final issue of the first S8 arc. It shouldn't be surprising, then, when I say that I feel this continuation retains many of the problems of the last issue including Warren, some (but less) confusing narrative jumps, Amy's dumb evil smile (which from now on will simply represent her continued one-dimensionality), and the action-orientated style. This is like the second half of the Primeval (4x21) comparison I made. Let me use this opportunity to remind my fellow readers that the way I score these comics is completely non-comparable to how I score the series. A 75 here does not necessarily correspond to a 75 for an episode.

Since the issue itself jumps right into discussing what's going on with Warren, so will I. The explanation for why Warren is standing here, alive (?), is so extremely flimsy and confusing that I have to say that I'm both confirmed disappointed and not at all surprised. If Whedon had given us anything other than confusion he'd have broken good, established, and solid continuity. What we have now is the sense that somehow continuity is still broken, but we're just not sure how.

According to Warren, his "human life" is gone which, as directly interpreted, means he died. Yet, he also says that he got saved before dying. So, which one is it? "The Long Way Home Pt. 4" doesn't care to explain. Apparently Amy snatched Warren away right after Willow flayed him. Amy then put magical skin around him to keep him alive. Huh? If I'm to believe statement #1 from Warren then Amy somehow resurrected him (vital Buffyverse law broken -- very bad). But, if I'm to believe statement #2 from Warren, he didn't die at all! But, this also breaks continuity, because Warren did die. Hey Whedon, you rock, but you really need to go watch Conversations with Dead People (7x07) again. Nowish.

A large portion of this issue involves what's (not) happening to Willow. I'm really not happy that we're led to believe that Willow's really getting hurt and will be permanently damaged only to see her a-ok. Smiling, in fact. Warren was digging into her eyes with a sharp implement. What's with the cop-out? Come on...

This is about where Willow's glowy who-the-hell-knows-what-they-are new 'friends,' one of which looks like a female wookie, appear. With Warren in the picture, I actually thought it was a female wookie. This mystical 'escape' from Willow's pain is kind of cool, but these weird friends of hers are kind of ridiculous. The lack of any explanation of what they are doesn't help matters. What confuses me further is that they tell Willow that she's physically being hurt and that she won't survive much longer. Although Willow's faith in Buffy is expectedly sweet, when Buffy does finally get there Willow doesn't have a scratch on her. And there's zero explanation why. Not cool.

Anyway, Dawn's situation continues to interest me. While I'm not terribly pleased that it hasn't been dealt with yet, I do find it interesting to think about the possibilities surrounding why Dawn's got such a close connection to Willow now. It sure wasn't there from Villains (6x20) through Chosen (7x22). Dawn says, "Will is like a mom to me." The following panel is smile-worthy as Xander tells Buffy, "Oh I bet you loved hearing that." This disconnect between Dawn and Buffy, something that was built out of S6 and the thick of S7, is something that I fortunately do very much look forward to finding out about.

Anyway, the vast majority of the rest of this issue is completely consumed with action and battle. Much of this action, like the before-mentioned Primeval (4x21), proves to be surprisingly fun. These sequences clicked with me much more than the confusing Willow/Amy fight in the last issue. But, before we get to the action, there's some interesting prep-work. For one, I very much appreciated the Buffy/Satsu interaction and the continuity from The Long Way Home Pt. 2 (8x02) involving the training.

How about that cinnamon lip gloss? Does Satsu love Buffy? Although making Buffy a lesbian is definately not the direction I want to see her going (because it would be a complete cop-out of dealing with her relationship-issues -- plus, she's clearly thinking about guys still), I certainly don't have a problem with one loving her. This could prove to be interesting. How would Buffy react to that? Maybe we'll soon find out. Then again, maybe Xander (or someone else for that matter) gave Satsu that lip gloss for some reason. Who knows. I kind of wish there was a bit more conclusiveness on the matter though.

Now comes the big fight itself along with the long-awaited re-appearance of the Slayer Scythe. It's good to see it again! Even though it was used as an overly convenient plot device in S7, I still think the thing looks badass. Once Buffy and Satsu jump through the portal, we see an amazingly silly new convenience as Buffy and Satsu escape being hit from bullet fire when it's shown that the room has them flying around pretty much everywhere. That's just not even remotely realistic. Couldn't there been some sort of magical explanation of why they aren't being filled with bullets?

Regardless of the technical inconsistencies of the battle itself, it does look really cool. It's always fun to see Buffy wailing on people and giving them her stern face. It's here that there's a small, but I feel potentially important, moment. There's injured soldiers all over the floor when Buffy walks up to one and says, "we tried to be nice here but some of these men are dying. There's one person in this complex powerful enough to heal them. You can tell me where she is... OR." This, of course, ties into the final dialogue at the end where the General informs Buffy that the entire human race is against her because they think the slayers are a new master race that's going to attempt to slay everything. Buffy's offer of help to the soldiers and follow-through of that help after rescuing Willow already proves that the General's fears aren't remotely valid. But more on this in a bit.

I'm skeptically enjoying Buffy and Willow being connected through magic to the point of Buffy being able to use some of Willow's abilities. Black-eyed Buffy? Interesting. I hope we get to find out what that feels like for Buffy. I'm skeptical of this because I'm not sure I buy this closeness between them. In S7, there was certainly some connection (Same Time, Same Place [7x03] comes to mind) and strong cooperation (Get It Done [7x15] comes to mind), but they weren't nearly as tight as they used to be (as friends tend to become post high school). I hope this connection is better explained, because I rather got the impression that Willow had been gone for quite a while.

Buffy showing Amy her mom is another really cool moment, one which I hope and expect will be much further developed. As it stands now, Amy is a pathetically corny villain. Seeing a perfectly drawn version of her mom gives me an inkling of hope that something will come of this.

And so the end arrives with Buffy finding what I think is a dead Ethan Rayne (it's just so hard to be sure in comic form). The General (Voll?) explains his motives, although it doesn't entirely make sense. He says that this wing of the military is part of a group that's trying to prevent slayers from becoming a master race, which is somewhat of a valid concern. Buffy thinks it's a woman thing, and says as much to excess. Yes, Whedon, we get what Buffy's about, no need to repeat yourself by shoving it down our throats. Remember that little thing called subtlety that you used to use all too often? At the very least, that's not the reason why this group is so worked up. They have a problem with Buffy not being completely human.

I actually think this plot twist is pretty cool, but when the General elaborates the confusion starts to set in. This group thinks Buffy picked the wrong side in the fight against the First? Why? How would pure evil slaughtering everyone be any better than a group of super-humans slaughtering some demons? He says that if Buffy wins the demon inside her will overrun her and just start killing randomly. This is utterly moronic thinking, but even if, how is that not still a billion times better than the First sweeping the world with evil? This reasoning just makes absolutely no sense, which greatly hurts the credibility of this larger villain. A villain that's well-developed and has motives that we understand is far more intimidating, complex, and interesting than one that doesn't. Alas, I now fear that this 'villain' will closely resemble the one-dimensionality of Amy, both of which have absolutely zero clear motives for doing anything that they're doing.

Regardless of all the confusion, Buffy's final reaction to the news that she's against the entire human race? Perfect: "Oh. Kay." Although Whedon's idea here -- pitting Buffy and her slayers against humanity itself, a powerful twist on Buffy's struggle to be normal all her life -- is excellent, I'm afraid the execution of said idea has so far fallen flat. I very much hope that changes as we move forward.

So overall, I enjoyed this issue more than the last, but as made evedent up above, I've still got some serious qualms about how Whedon is executing his story. There are some serious flaws, holes, and various kinds of seaweed mucking up the works. Hopefully, for the sake of this long comic season, this is just the typically weak Whedon season opener and nothing more. I must say, though, that I'm really looking forward to the fascinating idea of Whedon's upcoming stand-alone issue along with Brian K. Vaughn's Faith arc coming up right after it. I'm crossing my fingers for some improvement.

The averaged overall score for "The Long Way Home" arc rounds out at 80, a B.


- Minor Pros/Cons (+/-)
+  Although I hate Warren being alive, I did enjoy him asking Willow if she was bored now.
+  Buffy wanting to take Xander with her through the portal, but he refuses. "It's Will. We play it smart."
+  The other primary slayers joking about Satsu being the one picked for the mission.
+  The military guy who yells "We got movement! It's opening!" looks exactly like Jayne from Whedon's Firefly. Not necessarily a plus/minus, moreso an amusing observation.
+  Buffy "returning home" -- two miles south of Sunnydale to be precise.
-  Dawn's not as proportionally strong as she is large? What? Here's another thing that makes no sense whatsoever. The fact she swiped a chunk of rock off a castle proves Buffy's comment wrong before she even said it.
-  Warren's dialogue sounds more like Adam than Warren to me.
-  Between Willow not being injured from a sharp impement being stuck in her eye and Amy escaping unscathed from a grenade explosion, I'm starting to feal that magic's beginning to get a bit overly ridiculous, powerful, and convenient.
-  Amy escapes with Warren. Lame. I wanted something more out of the confrontation between Buffy and Amy, espcially after what Amy 'appeared' to do to Willow.

- Quotes
SATSU:   It should have been one of you guys.
ROWENA:   You dinna think we know that? Personally, I think Buffy jus' wants ta die looking at yer great hairdo, but it's her that's boss.

XANDER:   Bring me back a witch.

WILLOW:   Did I ever tell you about my best friend?
WILLOW/BUFFY:   I like to think, in a way, that she's a part of me. That even when she's gone, a part of her is with me. 'Cause it is.

BUFFY:   Okay, Ethan. You got yourself a "get out of jail free card." But I hear the words "my" or "love"...

GENERAL VOLL:   You're at war with the human race.
BUFFY:   Oh. Kay.

-
Score
76 /100
B-
Flawed in some areas. Possibly lacking in character development and relevance or possessing a poor plot and/or villain. There's still a lot of good material mixed in with the mediocre.

- Screencaps




- Comments (14)

1.bookworm  Jul 2 2007
oh.kay. I got the impression that your non-familiarity with comics shows. And the fact, that you hadn't needed to wait for a month to get to know the next part of the story. You seem a little, what's the word, impatient.

I got the feeling with Warren being alive, that it doesn't make sense. But for me it had much more the "who the f**k is the girl with the long hair, claiming to be Buffy's sister"-feeling to it than, "omfg, joss is ruining continuity"-feeling. and I'm quite sure, that everything'll work out okay, just because I know that joss is really paying attention with the mythology, when it comes to comics...

and I got the impression that joss wants to tell another mythic story and not throw as many surprise-moments as possible into the mix.

and the thing with the general, I understood the way, that he'd rather die than wanting to be ruled by a human master race, but that he isn't eager to do any of it soon. It's a way of thinking, that I consider a little dangerous.

I'd draw a parallel to the penultimate conversation between the Operative and Mal:

O: Do you really believe that?
M: Yes, I do! (General: I really believe that the Slayer-crowd is a menace to humankind, and that it'll want to take over the world, and subject us into their slaves!)
O: You willing to die for that believe? (Buffy: You really think so?)
M: Yes I am. Although it's not exactly Plan A. (General: Well, it's not bad to have stopped the First Evil, but the way you did it sets a much bigger threat to the world, and I'd take the former thread over the last one...) which is boneheaded and stupid and reactionary, but it's the way it is...

2.jun  Jul 2 2007
I find that Xander's lines seem the truest to character for me. Especially "Bring me back a witch." I can so hear Nicky Brendon saying that.

3.robgnow  Jul 3 2007
I agree 100 percent about the lame explanation for Warren's continued existence. I don't buy it for one second. Willow clearly flash disintegrated him and there is no way that Amy was ever powerful enough to intervene. Not even if she was hopped up on Rack's magic-juice. Sorry, Joss - very clumsy.

As to Will's new friends, I take these to be representations of her new connection with the Earth. I can't say what all of them are, but clearly we have Tree/Greenery, Water or Air, and Animus/Animals. The white chick with writing could be imagination or inspiration. I don't know what in the world the central figure is supposed to be.

And... while last issue Amy's evil grin didn't bug me, now it is. Does she have any other facial expression?

I love seeing the Scythe again! Nice that Buffy pulls it out to go in after Willow. And I did get a chill (a small one) when Air/Water told Willow that she was being lobotomized! 'Do you have a plan?' Uh...

Loved the whole fight scene in the army installation. Especially how our guys were fully ready for the Army to attack and already had a counter offensive planned out. And I still love Xander to death.

The idea that Buffy can 'use' Willow's magic herself because they are part of each other is an interesting concept. I hope they expand on this a bit more in the future. But the battle with Amy was disappointing. Again, I just don't buy that Amy has the power to react almost instantly like that (first 'saving' Warren, now teleporting around like it's a walk in the park... even as a grenade is going off?).

The last page rocks for me. That is the Buffy I love. You can tell she's not going to take a bunch of crap, but she sure will be ready to dish it out. I'd give this one a B+

4.robgnow  Jul 3 2007
One thing I forgot to mention is my problem with Willow's 'insta-heal'. She's not even breaking a sweat here... this could lead to major problems if her powers aren't given some real and practical limits. I don't want her to suffer later from IITS syndrome. (I.E. She can do or can't do what they need as the story comes along with no real rhyme or reason as to why except 'its in the script').

5.bookworm  Jul 4 2007
I was wondering why joss was going down the "torture willow"-road anyway. with this he was breaking one of the fundamental rules of any thing he had done before: don't torture women;
but oh, it's a fundamental rule. I have to beak it. But then he chickened out by not making me fret over Willow.
My question: Is Willow in need for some saving again?

6.robgnow  Jul 4 2007
I was kind of bummed out about Ethan's death, too. There is SO much history with Giles/Ethan that could be delved into and never was (well, the show was about Buffy after all). The comics medium is the perfect place to focus an arc and give us more background on 'Ripper', including Ethan. Guess we'll have to hope for visit by his ghost, or a flashback arc.


7.elim  Jul 5 2007
I would also point out that the comic books correspond more to acts of a TV show rather than complete episodes. Thus these four comic books combines are like the season premiere episode, rather than a multi-episode arc, and the month you had to wait for an explanation of Warren is like a really long commercial break. That would be a point for the "typically weak Whedon season opener and nothing more" theory.

As for Amy, it looks like they're gradually trying to get themselves out of the mess they got into with "The Killer in Me", but it's a bit too gradual in my opinion. Speaking of which, when are you going to review the last good Amy episode?

8.mikejer  Jul 6 2007
Reviews of Season 6 are next up on my plate of things to do. Although I want to give you an estimate, I'll refrain in fear of sharp objects. :)

9.Dingdongalistic  Jul 22 2007
"typically weak Whedon season opener and nothing more"

What examples would you use of 'typically weak Whedon season opener's? 'Cause I think his season openers are typically strong - although you probably know that already.

10.mikejer  Jul 22 2007
I think my reviews of the Whedon-written season openers are examples. "The Harvest," "Anne," and "The Freshmen" are particularly lacking in certain areas.

11.Dingdongalistic  Jul 23 2007
...85, 80, and 80. Don't appear like bad scores to me. Myself, I can see a couple of key flaws in all three, but on the whole they're far more solid than many other examples from their seasons - especially Anne.

12.mikejer  Jul 23 2007
...45, 80, and 80 would be the associated scores. I use the term 'weak' to describe many of the openers only because generally I expect more from Whedon-written episodes. When he gives me something just 'ok,' I feel it's a weak episode for him. That's kind of how I feel about these comics so far.

13.Dingdongalistic  Jul 26 2007
Oh. Sorry, got WTTH mixed up with TH. My bad. Despite this, I often feel that Whedon's season openers are of a consistently higher standard than other offerings in the season.

14.Dana5140  Aug 19 2007
Lord, the retcon in this isue is deplorable. But before I expand on that, let me make one quick comment. If indeed Satsu really does love Buffy, it is a dead certaintly Joss will kill her. End of story.

Back tot eh retcon. My problem here is that if indeed Warren never died, Willow never killed him. Taht negates everything that happened from Seeing Red on- and that is no small matter. The entire ethic of the last 4 eps and all of S7 are irrevicably altered if this retcon is now continuity. Does not matter what Willow's intent was, nor what she thought had happened. It really didn't. And all that followed never had to happen.

I could go on, but in terms of retconning, this is just horrid on so many levels.

Assuming that the comic form is at play, I still think that the Amy-Willow- Warren interactions make no sense, especially Willow's near-death experience that isn't. We are led to believe she is in danger, and then there she is, safe and sound. And smiling. Now, I believe Joss is not stupid, though I think he is often way too full of himself, so I am guessing this story is not yet completely told- but there are no clues to let us know otherwise, and now we have The Chain and then FAith and it may be months before we find out anything at all- and yes, I am impatient. Half the audience for this comic came from TV, and Joss risks losing them if he does not provide answers. Look at Lost for a case example of how to ruin something quite good.



- Post a Comment
Name


(copy your comment in case of failure!)

Security Code
Security Code


Copyright © 2000-2008 SuperJer.com. All rights reserved.