A review by Mikelangelo "MikeJer" Marinaro
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Here lies an excellent arc episode which really utilizes Dawn as a metaphor for adoption to its fullest while also proficiently furthering the arc of the season. The title, "Blood Ties," refers to the links discovered between Ben and Glory as well as between Dawn and Buffy and how those links affect all of them. This is where the episode focuses its attention. Oh yeah, and Willow teleports Glory into airspace! What could possibly be more exciting!? It's Buffy's birthday, so you can count on lots of pain right from the start! At least Dawn has excellent reasons to be very obnoxious and sneaking around this time. The episode picks up shortly after Checkpoint (5x12) ends, with the Scoobies gathered around discussing the new information obtained from the Watcher's Council on Glory. A lot of shows like to skip right past critical information gained in previous episodes, but thankfully not this one. I personally think Buffy was smart to keep Dawn's keyness a secret (sans Giles). The way everyone acts when they know later on proves Buffy was correct. Anya is still amusing though, telling Dawn, "You make a very pretty little girl!" Later on Dawn tells Spike she's badder than him in a very amusing scene. Spike, as usual, twists it around and makes fun of Dawn. She finds out about her key-like nature by breaking into the Magic Box with Spike, which feels oddly fitting. All this setup leads to the fantasticly powerful scene with Dawn and the knife. Great acting from a young Michelle Trachtenberg here. The following Dawn bedroom scene is also excellent with a very appropiate response to her situation: "so I've only been alive for six months, huh?" Dawn's first "GET OUT!" triplet is out and is very fitting here. That girl can sure scream though! One little thing to note is that as the gang leaves the house, Giles asks if he should stay. Buffy tells him, "this is a family thing." This just goes to show that while Giles is incredibly close and family-like to Buffy, he is not family. This is an important distinction when recognizing that The Body (5x16) is not far away. Joyce tries to help Dawn out and gets a response of "you're not my mother." Adoption metaphor much? This is played very well though. Normal activities become meaningless to Dawn in the light of this kind of life-changing news. Dawn looking at her diary, holding it dear, feeling the pain of the truth, and then burning all of it ring very true. For once I can understand why she's running off outside into possible danger. I like how Spike points out that Dawn probably would have run off even if she hadn't found out, which kind of makes fun of how silly Dawn often is. I'm really pleased to see her use the precarious situation she's in with Glory later to pump Glory for information about just how close she is to finding the key, along with getting information about its origin at the same time. That's one of Dawn's few intelligent moves in the series. When Buffy finds out Spike helped Dawn out she really lets him have it for a bit. Spike verbally retaliates leaving Buffy disappointed knowing Spike is actually right. This situation is Buffy's fault, not Spike's: "Oh, yeah, here it comes. Something goes wrong in your life, blame Spike. News flash, blondie. If kid sis wants to grab a midnight stroll, she'll find a way sooner or later. I just thought she'd be safer with big bad looking over her shoulder... Maybe if you had been more honest with her in the first place, you wouldn't be trying to make yourself feel better with a round of Kick The Spike." Buffy can only turn around and leave in defeat, and even later admits to Spike that he was right. The end of the episode provides a really cool fight scene with Glory, the best since her introduction. I love Willow and Tara's teleportation spell. It's interesting to note just how much it hurt Willow, with Giles even pointing out just how dangerous the spell was. Glory's power has been fueling Willow's desire to increase her power. Although Willow would have gotten to a powerful place eventually, regardless of external forces, the urgency of needing a weapon against Glory is what pushes her to the next level now. It's very hilarious where Glory materializes though! So overall I don't have any big complaints with this one. It's a good, solid, entertaining arc episode which does everything it needs to do, and does it very well. We get more information on Ben and Glory, Dawn and the rest of the Scoobies find out about the Key, Willow's power concerns Giles even more as well as beginning to physically hurt her, and Buffy continues to have somewhat amicable conversations with Spike. All in all, I'm quite happy.
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| + | It's cool that there's a good explanation for why Glory acts the way she does. Being in human form and living in this dimension make her extra crazy and limits her power. | | + | Anya telling everyone she knows more than Giles on dimensions. "Well, I do." | | + | Good to see Buffy and Giles training still, continued from early in the season. I wonder if their sessions are still like they were in S2. Probably not, heh. | | + | Buffy chatting with the girls about Riley not sending a birthday card. It's nice to see the show hasn't forgotten about him. | | + | Building up Ben as a pretty moral guy at this point is smart, even though we have no clue of his association with Glory until the end of the episode. | | - | It's disappointing that we didn't get to see everyone's immediate reaction to the news about Dawn. | | - | The fight scene with the Knights is a bit awkward. Glory's right there, so why do her minions even bother fighting? |
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- The blood connection between Buffy and Dawn is established, which obviously comes into major play during The Gift (5x22).
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| XANDER: | We're going up against a god. An actual mightier-than-thou god. | | WILLOW: | (Chipper) Well, you know what they say, the bigger they are- | | ANYA: | The faster they stomp you into nothing. |
| GILES: | I'm not sure our regular workout is ... challenging you any more. Perhaps we should make it harder. | | BUFFY: | You always think harder is better. Maybe next time I patrol I should carry a load of bricks, use a stake made of butter. |
| DAWN: | I just think you're freakin' out 'cause you have to fight someone prettier than you. That is the case, right? | | BUFFY: | Glory is evil. And powerful. (normal tone) And in no way prettier than me. |
| ANYA: | This is extremely suspenseful! I want the presents. | | BUFFY: | Ohh ... it's beautiful. Thank you, guys. | | TARA: | Well, we thought you'd get lots of crossbows, other killy stuff. | | WILLOW: | Yeah, so we figured, less killy, more frilly. | | ANYA: | Oh, it's just so lovely! Oh, I wish it was mine! (quietly) Oh, like you weren't all thinking the same thing. | | GILES: | I'm fairly certain I wasn't. (whispers to Xander) I've got one just like it. |
| DAWN: | I'm not an idiot. I know you're talking about me. | | XANDER: | No, no, we really weren't. | | ANYA: | We were talking about sex. | | DAWN: | They were talking about me, just like everybody is. | | XANDER: | Again, not so much. In fact, none. | | ANYA: | We were talking about sex. I mean, you know us, sometimes we like to pretend stuff- | | JOYCE: | Um... | | XANDER: | Anya! | | ANYA: | You know, like, say there's a fireman, or a shepherd- | | BUFFY: | You know what? Let's not have this exchange of images right now. |
| SPIKE: | Shouldn't you be tucked away in your beddy-bye? All warm and safe where nothing can eat you? | | DAWN: | (giggles) Is that supposed to scare me? | | SPIKE: | (sighs) Little tremble wouldn't hurt. | | DAWN: | Sorry, it's just ... come on. I'm badder than you. | | SPIKE: | (insulted) Are not! | | DAWN: | Am too. You're standing in the bushes hugging a bent box of chocolates, and I'm- | | SPIKE: | What? Sneaking out to braid hair and watch Teletubbies with your mates? |
| SPIKE: | Brown-robe types are always protecting something. It's the only way they can justify giving up girls. |
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90
/100
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A- |
Everything that an 'A' possesses, but with either a few more mistakes or slightly less power. Generally represents great episodes that are a tiny bit rough around the edges. |
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