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LIE TO ME (2x07)

A review by Mikelangelo "MikeJer" Marinaro

Writer(s): Joss Whedon
Director: Joss Whedon
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Review

This episode has two strikingly large problems, one being the fact that Ford is an extremely boring character until the very end of the episode, and two being that there are some pacing problems. As I was watching this again I was thinking that it wasn't going to score very high, but then the fantastic foreshadowing and slowly building character development began to win me over. The end, of course, is also fantastic.

The episode begins at night as we see Drusilla, in her creepy white dress, approach a little boy waiting for his mom to pick him up (his mom must be really late). Angel arrives in a knick of time to spare the kid's life and have a little chat with Drusilla. This conversation is actually one of the highlights of the first half of this season. A truck full of foreshadowing is unleashed in the dialog between these two (which is stated below). This is the kind of stuff I eat up. Buffy comes in on the end of the meeting and sees Drusilla close to Angel then runs off looking hurt because she makes dumb assumptions about what was going on. This is one thing I don't like about Buffy's character consistently through the earlier seasons. She always overreacts to things she sees without knowing the context of the situation or the facts.

Anyway, at school the following day Buffy and Willow are amusingly passing notes in class discussing what Buffy saw. Buffy seems to have a cooler head about the situation now. Then Ford arrives out of nowhere and is introduced as a character we know isn't going to be on the show after this episode. I'm glad in one respect, because I really don't like Ford.

Ford being thrown into the group dynamic does create some interesting interaction. Angel lies to Buffy about his whereabouts which in turn causes her to give him the cold shoulder. That makes her eager to leave The Bronze with Ford because of all the romantic tension directed at Buffy by Angel, Xander, and Ford. All of this is too much for Buffy so she does end up leaving the building. I can't say I blame any of the guys for having the hots for Buffy.

There's a few extremely powerful scenes towards the end that really make up for the lackluster first half. One involves finally getting some hard facts about Angel's past. We discover that he killed all of Drusilla's loved ones and then mentally tortured her, all before turning her into a vampire. This naturally creeps Buffy out a bit, even though she wanted to hear it.

Another fantastic scene is when Ford reveals his cancer problem to Buffy. She reacts perfectly to this news, "You have a choice. You don't have a good choice, but you have a choice! You're opting for mass murder here, and nothing you say is gonna make that okay!" I also respect the writers for having a character who sticks to his guns and doesn't give into the "good guy emotionally moving speech." Ford decided not to help Buffy, even after she desparately tries to convince him otherwise.

All of this leads to the moving final scene where Buffy matter-of-factly kills Ford as a vampire and then asks Giles if life gets any easier or any less confusing (see final quote below). The dialog between these two really causes some thought. As you grow up things become more complicated. It's not as clear who's your ally and who's your enemy anymore. There certainly isn't lacking interesting discussion here. So while I don't particularly love this episode, I must admit that it has some truly golden scenes and a lot of beautiful foreshadowing.


Minor Pros/Cons (+/-)
+  Good to see the show touch on the topic of goths and vampires worshipers.
+  Willow being all jittery when Angel ("a boy") comes into her bedroom.
+  Jenny took Giles to a monster truck show! Wow, poor Giles. The extremes he'll go to for love.
+  Buffy and Angel working out their couple-issues. Buffy says to Angel, "I love you. I don't know if I can trust you." Angel replies with, "maybe you shouldn't do either."
+  Spike's unconditional love for Drusilla is really great to see in a villain.

Foreshadowing
  • Angel says to Drusilla, "If you don't leave it'll go badly. For all of us." This turns out to be completely true. Wow, how much would have changed if Drusilla had simply taken Angel's advice here. Angel loses his soul in Innocence (2x14), Spike ends up having to help Buffy kill Angelus in Becoming Pt. 2 (2x22) which causes Drusilla to break up with him in South America during the following summer. That event led to Spike's entire gradual transformation along with all the stuff Drusilla ends up doing on AtS including turning a human Darla, brought back to life in "To Shanshu in L.A." (AtS 1x22), into a vampire again, thus leading to Connor's birth. Wow!
  • In the same scene as above Drusilla says to Angel, "The girl. The Slayer. Your heart stinks of her. Poor little thing. She has no idea what's in store." Boy is Drusilla on the ball here. Coming up soon Buffy will cause Angel to lose his soul in Innocence (2x14), witness the new Angelus snap Jenny Calendar's neck in Passion (2x17), find out that Drusilla has killed Kendra (the other Slayer) in Becoming Pt. 1 (2x21), and then have to kill Angel, with his soul restored, in Becoming Pt. 2 (2x22).
  • The book the blond vampire steals from the library is the same book Spike uses to find Drusilla's cure in What's My Line? Pt. 1 (2x09).

Quotes
BUFFY:   We're going to the Bronze, it's the local club, and you have to come.
FORD:   I'd love to! But if you guys already had plans... Would I be imposing?
XANDER:   No, only in the literal sense.

WILLOW:   Okay. But if there isn't anything weird... Hey, that's weird.

BUFFY:   Do you wanna hang? We're cafeteria-bound.
WILLOW:   (jumpy) I-I-I'm gonna do work in the computer lab on school work that I have, so I cannot hang just now.
BUFFY:   Okay, Will, fess up.
WILLOW:   What?
BUFFY:   Are you drinking coffee again? 'Cause we've talked about this.
WILLOW:   It makes me jumpy. I have to go. Away. (hurries off)
FORD:   Nice girl!
BUFFY:   There aren't two of those in the world.

XANDER:   In no way do we stick out like sore thumbs.
WILLOW:   Okay, but do they really stick out?
XANDER:   What?
WILLOW:   Sore thumbs. Do they stick out? I mean, have you ever seen a thumb and gone, 'Wow! That baby is sore!'
XANDER:   You have too many thoughts.

SPIKE:   Do I have anyone on watch here? It's called security, people. Are you all asleep? Or did we finally find a restaurant that delivers?

XANDER:   Angel was in your bedroom?
WILLOW:   Ours is a forbidden love.

BUFFY:   Nothing's ever simple anymore. I'm constantly trying to work it out. Who to love or hate. Who to trust. It's just, like, the more I know, the more confused I get.
GILES:   I believe that's called growing up.
BUFFY:   I'd like to stop then, okay?
GILES:   I know the feeling.
BUFFY:   Does it ever get easy?
:  (casually stakes Ford who rises from a grave behind her)
GILES:   You mean life?
BUFFY:   Yeah. Does it get easy?
GILES:   What do you want me to say?
BUFFY:   Lie to me.
GILES:   Yes, it's terribly simple. The good guys are always stalwart and true, the bad guys are easily distinguished by their pointy horns or black hats, and, uh, we always defeat them and save the day. No one ever dies, and everybody lives happily ever after.
BUFFY:   Liar.

Score
85 /100
B+
Just misses the mark of excellence. Essentially, a great episode that's rough around the edges and/or slightly flawed. Extremely fun to watch.

Screencaps




Comments (12)

1.Jo  Oct 18 2006
This episode has, as you said, a lot of boring scenes and some major flaw yet it remains one of my favorite because of the last dialogue between Giles and Buffy. Gives me goosebumps every time I watch it. Really powerful and really... true.

2.robgnow  Apr 9 2007
I'm wondering if the last scene with Buffy and Giles wouldn't count as 'foreshadowing' as well. Especially Giles' "No one ever dies and everybody lives happily ever after."

And Buffy's follow up "Liar."

As we come to know... a lot of people die, including Jenny in this season precluding her and Giles 'living happily ever after'.

Just a thought-
Rob

3.MrB  Apr 16 2007
I loved in this episode how long the writers let the DiVynls reference to "I touch myself" sink in with Willow. It's about 30 seconds - an eternity in TV time. Most shows would have has the reference, two beats, reaction.

This again shows how the show respects the audience and the references.

4.Latoya  May 1 2007
I understood Buffy immediately jumping to conclusions about Angel and Drusilla. Buffy may be The Greatest Slayer of All Time but she is a very insecure person. Angel was her first real boyfriend. She was sixteen years old. Not to mention that Angel and Drusilla WERE lovers/dating back in the day. Maybe a part of Buffy could sense/feel this in some way.

I loved Ford. I think it is because I was a fan of Roswell. I thought that Buffy/Ford looked cute together.

I loved how Buffy let it slip she used to pleasure herself while thinking about Ford (lying in her bedroom listening to "I touch myself") and then realizing she just told them something very personal/private and tried to backtrack with "Of course, I didn't know what the song was about". Sure you didn't. ;)

Buffy never felt comfortable talking about the sexual side of her. Like in Hope, Faith, and Trick when Faith said "Isn't it funny how slaying always makes you hungry and horny?" and the gang all look at Buffy with an inquiring minds want to know expression on their faces. Or in Fool For Love when Buffy acted all disusted that Spike got off on fighting and he says "Are you telling me you don't?" We all know she does.

5.buffyholic  Oct 10 2007
It´s funny how the same show attracts different opinions. I like Ford, I think he´s an interesting character. I like how everyone is uncomfortable with him there. The vampire cult is very interesting and I like how Angel is explaining that things is not how they say but then another guy appears wearing the same outfit as him. And the last scenes are just priceless. Very good one.

6.OtterBear  Jan 6 2008
It is true that in the early seasons, Buffy tends to be insecure when she finds a guy that she likes talking to another girl. However, there was definitely just cause for her to be suspicious here. At the moment that she arrived on the conversation, Dru was leaning towards Angel as if they were about to kiss, and Buffy hears Angel say "This can't go on Drusilla, it has got to end." Obviously, something more is between these two than just being trapped into a cup of coffee with Cordy.

7.Andrew  Jan 7 2008
This was mere inches away from being a truly great episode. Like you say, it had the odd minor flaw that got in the way.
Actually I didn't dislike Ford too much. He's certainly better than Owen (Never Kill a Boy on a First Date). Mabye not the best character ever, but fine for a one-off.
Willow was truly amazing in this episode.
I'm somewhat at a loss to understand
a) Why Ford, apparently a reasonably intelligent individual, thought that Spike would bother to keep his promise about turning him into a vampire (Had I been Ford, I'd have demanded to be turned into a vampire *first*)
b) Why Spike actually did keep his promise, particularly after the disastrous raid. Perhaps he saw that buffy was just going to stake him anyway and thought it sufficiently ironic to go ahead with it, though it still seems a bit of a pointless risk.

8.Nix  Jan 11 2008
Where's the risk? If Spike sires Ford and Ford somehow avoids being slayed, sticks around, and is annoying, Spike can always kill him. (Or perhaps Ford would kill Spike. Yeah, right.) Conversely, if Spike *doesn't* sire Ford, after promising to in front of his henchvamps, well, the henchvamps might cease trusting him: they might even turn on him --- although Drusilla alone could prevent this later on through sheer terror, she's still weak in this ep and the other vamps might not be sufficiently frightened of her.

9.Andrew  Jan 21 2008
Mmmmm, I suppose so. I'd think Spike's vampire minions might regard keeping a promise to human as really not a big deal. But I admit I hadn't thought of that.

10.wilpy1  Feb 22 2008
Mike, I'm not sure you analysed this episode as acutely as it deserved (from a structural standpoint).

There are seeds planted in the entire episode that lead Buffy to the conclusion she comes to in the final scene. Her trust issues - the ones that explain why she is who she is in later seasons - arguably start in this very episode (though she has a lot more hurt and pain to go through yet to get to the defensive, closed-off Buffy she is in s7). Angel lies about seeing Drusilla in the graveyard, and he, Willow and Xander go behind Buffy's back in order to investigate Ford. After finding out her boyfriend and friends have lied to her, Buffy's fed up and demands from Angel that he fesses up about his past, saying quite pointedly "don't lie to me". In her mind at this point, telling the truth is the virtue she admires and appreciates above all else, but this is completely turned on its head when Angel tells her everything, and more than she expected! From then on, she begins to realise that the truth sometimes hurts a lot more than she'd like. This is reinforced when she finds out that Ford lied to her about staking the book-stealing vampire. She gets some perspective when she's trapped in the bomb shelter with the vampire-loving goths, who have clear delusions about vampires and get rude awakenings when Spike and his gang show themselves for what they really are (see Chanterelle/Lily/Anne's face when they approach). This again reinforces to Buffy, and us, that ignorance and lying is often bliss.

The big blow for Buffy that cements this idea is when Ford tells her he has cancer and has 6 months to live. At first thinking Ford is just crazy, she's suddenly faced with a villain whose motives are far more human and personal than the "I want to kill the Slayer" motives she's been used to ever since the series began. She says at the end of the episode that Ford probably pretended to be the bad guy just to make things easier for him - but it was easier for HER, too, that he pretended to be the bad guy. She wasn't used to grey area, she'd always had this black-and-white, good-vs-evil view until now. And this is what leads her to wanting Giles to lie to her, as she clearly grasps for this childhood view again. Unfortnately, from here on out, she's never looking back. That's why it's such a beautiful scene, such a tremendously important and beautiful episode.

I usually roughly agree with your episode grades, but I'm afraid I can't in this case. Your reasoning for giving LTM a B+ surprises me. You complain about a slow pace, but it didn't stop you giving 'The Gift' and 'Afterlife' perfect scores, and they were even slower! Also, I can't understand why you think it's such an importance to an episode that one-off characters like Ford (and Tara's family in 'Family', another episode I think you graded rather too low) have should be interesting as characters in and of themselves. Like most plots in the show, these one-off characters are only written to develop the main characters, who are, after all, our main concern. I personally think 'Lie To Me' deserves a perfect score for its resonant effect on Buffy's character, and its vital purpose in this progressive series. I simply can't see anything wrong with it.

11.wilpy1  Feb 22 2008
Another instance of learning truth is near the beginning when Ford reveals to Buffy that he knows she's the Slayer. Of course, this revelation was well before Angel's revelation about Drusilla, and subsequent revelations, so Buffy's realisation about the nasty effects of truth don't come into play yet. On the contrary, Ford's revelation excites and intrigues Buffy. A great parallel there.

12.AnonDK  Jun 2 2008
I agree with Wilpy1. While Ford lacks an emotional connection to the audience, his reasonsings and motives make him a compelling and sympathetic character, and not once do you agree with him. It's Buffy's first step into the adult world, the conflicted world, and I think it performs brilliantly. I even like Angel in this episode!

It's my favourite ep and, I believe, justifiably so. It's absolutely marvellously done.


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