A review by Mikelangelo "MikeJer" Marinaro
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This episode has two strikingly large problems, one being the fact that Ford is an extremely boring character until the very end of the episode, and two being that there are some pacing problems. As I was watching this again I was thinking that it wasn't going to score very high, but then the fantastic foreshadowing and slowly building character development began to win me over. The end, of course, is also fantastic. The episode begins at night as we see Drusilla, in her creepy white dress, approach a little boy waiting for his mom to pick him up (his mom must be really late). Angel arrives in a knick of time to spare the kid's life and have a little chat with Drusilla. This conversation is actually one of the highlights of the first half of this season. A truck full of foreshadowing is unleashed in the dialog between these two (which is stated below). This is the kind of stuff I eat up. Buffy comes in on the end of the meeting and sees Drusilla close to Angel then runs off looking hurt because she makes dumb assumptions about what was going on. This is one thing I don't like about Buffy's character consistently through the earlier seasons. She always overreacts to things she sees without knowing the context of the situation or the facts. Anyway, at school the following day Buffy and Willow are amusingly passing notes in class discussing what Buffy saw. Buffy seems to have a cooler head about the situation now. Then Ford arrives out of nowhere and is introduced as a character we know isn't going to be on the show after this episode. I'm glad in one respect, because I really don't like Ford. Ford being thrown into the group dynamic does create some interesting interaction. Angel lies to Buffy about his whereabouts which in turn causes her to give him the cold shoulder. That makes her eager to leave The Bronze with Ford because of all the romantic tension directed at Buffy by Angel, Xander, and Ford. All of this is too much for Buffy so she does end up leaving the building. I can't say I blame any of the guys for having the hots for Buffy. There's a few extremely powerful scenes towards the end that really make up for the lackluster first half. One involves finally getting some hard facts about Angel's past. We discover that he killed all of Drusilla's loved ones and then mentally tortured her, all before turning her into a vampire. This naturally creeps Buffy out a bit, even though she wanted to hear it. Another fantastic scene is when Ford reveals his cancer problem to Buffy. She reacts perfectly to this news, "You have a choice. You don't have a good choice, but you have a choice! You're opting for mass murder here, and nothing you say is gonna make that okay!" I also respect the writers for having a character who sticks to his guns and doesn't give into the "good guy emotionally moving speech." Ford decided not to help Buffy, even after she desparately tries to convince him otherwise. All of this leads to the moving final scene where Buffy matter-of-factly kills Ford as a vampire and then asks Giles if life gets any easier or any less confusing (see final quote below). The dialog between these two really causes some thought. As you grow up things become more complicated. It's not as clear who's your ally and who's your enemy anymore. There certainly isn't lacking interesting discussion here. So while I don't particularly love this episode, I must admit that it has some truly golden scenes and a lot of beautiful foreshadowing.
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| + | Good to see the show touch on the topic of goths and vampires worshipers. | | + | Willow being all jittery when Angel ("a boy") comes into her bedroom. | | + | Jenny took Giles to a monster truck show! Wow, poor Giles. The extremes he'll go to for love. | | + | Buffy and Angel working out their couple-issues. Buffy says to Angel, "I love you. I don't know if I can trust you." Angel replies with, "maybe you shouldn't do either." | | + | Spike's unconditional love for Drusilla is really great to see in a villain. |
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- Angel says to Drusilla, "If you don't leave it'll go badly. For all of us." This turns out to be completely true. Wow, how much would have changed if Drusilla had simply taken Angel's advice here. Angel loses his soul in Innocence (2x14), Spike ends up having to help Buffy kill Angelus in Becoming Pt. 2 (2x22) which causes Drusilla to break up with him in South America during the following summer. That event led to Spike's entire gradual transformation along with all the stuff Drusilla ends up doing on AtS including turning a human Darla, brought back to life in "To Shanshu in L.A." (AtS 1x22), into a vampire again, thus leading to Connor's birth. Wow!
- In the same scene as above Drusilla says to Angel, "The girl. The Slayer. Your heart stinks of her. Poor little thing. She has no idea what's in store." Boy is Drusilla on the ball here. Coming up soon Buffy will cause Angel to lose his soul in Innocence (2x14), witness the new Angelus snap Jenny Calendar's neck in Passion (2x17), find out that Drusilla has killed Kendra (the other Slayer) in Becoming Pt. 1 (2x21), and then have to kill Angel, with his soul restored, in Becoming Pt. 2 (2x22).
- The book the blond vampire steals from the library is the same book Spike uses to find Drusilla's cure in What's My Line? Pt. 1 (2x09).
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| BUFFY: | We're going to the Bronze, it's the local club, and you have to come. | | FORD: | I'd love to! But if you guys already had plans... Would I be imposing? | | XANDER: | No, only in the literal sense. |
| WILLOW: | Okay. But if there isn't anything weird... Hey, that's weird. |
| BUFFY: | Do you wanna hang? We're cafeteria-bound. | | WILLOW: | (jumpy) I-I-I'm gonna do work in the computer lab on school work that I have, so I cannot hang just now. | | BUFFY: | Okay, Will, fess up. | | WILLOW: | What? | | BUFFY: | Are you drinking coffee again? 'Cause we've talked about this. | | WILLOW: | It makes me jumpy. I have to go. Away. (hurries off) | | FORD: | Nice girl! | | BUFFY: | There aren't two of those in the world. |
| XANDER: | In no way do we stick out like sore thumbs. | | WILLOW: | Okay, but do they really stick out? | | XANDER: | What? | | WILLOW: | Sore thumbs. Do they stick out? I mean, have you ever seen a thumb and gone, 'Wow! That baby is sore!' | | XANDER: | You have too many thoughts. |
| SPIKE: | Do I have anyone on watch here? It's called security, people. Are you all asleep? Or did we finally find a restaurant that delivers? |
| XANDER: | Angel was in your bedroom? | | WILLOW: | Ours is a forbidden love. |
| BUFFY: | Nothing's ever simple anymore. I'm constantly trying to work it out. Who to love or hate. Who to trust. It's just, like, the more I know, the more confused I get. | | GILES: | I believe that's called growing up. | | BUFFY: | I'd like to stop then, okay? | | GILES: | I know the feeling. | | BUFFY: | Does it ever get easy? | | : | (casually stakes Ford who rises from a grave behind her) | | GILES: | You mean life? | | BUFFY: | Yeah. Does it get easy? | | GILES: | What do you want me to say? | | BUFFY: | Lie to me. | | GILES: | Yes, it's terribly simple. The good guys are always stalwart and true, the bad guys are easily distinguished by their pointy horns or black hats, and, uh, we always defeat them and save the day. No one ever dies, and everybody lives happily ever after. | | BUFFY: | Liar. |
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85
/100
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B+ |
Just misses the mark of excellence. Essentially, a great episode that's rough around the edges and/or slightly flawed. Extremely fun to watch. |
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