A review by Mikelangelo "MikeJer" Marinaro
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I knew there was a reason I used this episode as a firestarter for 'Buffy' skeptics! Spike rolls into town with Drusilla and rolls over all the previous villains this show has had before. Before I talk about everything I loved, though, I'm going to mention the few things that could have been even better. One complaint is that, later on (in AtS I think), vampires are established as having insane hearing abilities. This episode ignores or isn't aware of that ability, which creates some scenes that don't work in retrospect. It's not too much of an annoyance, but it's too bad they didn't have that part of the mythology straightened out from the beginning. The only other complaint I have is that David Boreanaz's acting here is often quite poor. He comes off as pretty corny most of the time when he really shouldn't. When put in the same scene with James Marsters' Spike, it becomes painfully obvious who the better actor is. Fortunately, though, Boreanaz greatly improves his acting throughout the season. Ok, now on with the fun. The episode begins with Principal Snyder threatening to expel Buffy because she burned down a school building in the previous episode. I not only love the consistency in Snyder's character, but I also love that no one just forgot about the fact that Buffy was involved with that fire. All of this introduction material is great continuity. Then Spike comes into town, mowing over the "Welcome to Sunnydale" sign, a trait he later becomes known for. The 'cool' car stops to an abrupt halt then that usually annoying "this guy is super dangerous" music begins playing and you think, "oh no...another idiot villain," but instead Spike steps out of the car with his unusual platinum-colored hair and lights a cigarette. Already this guy is cooler than all the villains that have been on the show up to this point. That brings us to Spike's first lines. He tears apart the corny dialog from the other vampire about being at the crucifixion and then goes on to talk about his experience of feeding off a flower person at Woodstock. Wow, good times. So while he's putting all the other lame vampires to shame Drusilla walks in with her creepy white dress. Immediately Spike shows a ton of affection for her, which is radically different from all the other vampires on the show. Then she licks some blood off of him and they do this damn cool face-turning-outward move instead of kissing (see screencap below). These two, already, have single-handedly made this season several times more interesting. They appear to be the bad guys of the season and boy do they hold your attention. Also, in retrospect, Spike comes across as 100% in character from his very first scene. Well done! This brings me to the fantastic scene which majorly foreshadows character development over the next seven seasons. That scene is the one where Spike comes into The Bronze to check Buffy out for the very first time. You can see in Spike's face immediately that he is awestruck by Buffy. So awestruck, in fact, that he visibly has to snap himself out of it and remember why he's there. Then he yells out, "there's some guy trying to bite someone out there," which causes Buffy to rush outside. Spike intelligently watches Buffy fight the vampire he set up for her from the shadows to get a glimpse of her fighting style, then says he'll kill her on Saturday. Spike has several things that make him such a good and entertaining villain. Some of them include his affection for Drusilla, his sarcastic and bad-ass attitude, his hatred for rituals and chanting, and his "fighting intelligence." By fighting intelligence I mean that he's very smart when it comes to fighting opponents and winning. He sets Buffy up to watch her fighting style, then he says he's coming to kill her on Saturday which is simply a ruse so he can attack her earlier when she's not expecting it. He ends up attacking her in the middle of parent-teacher night at the high school! While attacking Buffy at the school he remains very intelligent. He has her locked down in the school with a bunch of helpless classmates and teachers she has to come out to protect. He takes charge and initiative while all the other vampires around him pretty much look brainless and confused. Him and Buffy duke it out and Spike basically wins the fight, but intervention via axe from Buffy's mom saves her life. Spike's angered comment, "women!" always gives me a quick memory flash of his "what's wrong with you bloody women!" comment in Crush (5x14). Then after all this excitement Spike kills off the last remnant from S1, "The Annoying One." While I didn't mind the idea of a creepy vampire kid running the local vampire population, he really hadn't done anything worth mentioning at this point, so I really enjoyed seeing him killed like that. Spike says, "A Slayer with family and friends. That sure as hell wasn't in the brochure." This line tells us that Spike knows that a Slayer with strong ties to family and friends will help keep her bound to this world. These ties will make this Slayer more difficult to off than his previous victims. We also learn from Spike in Fool for Love (5x07) that every Slayer has a death wish, even Buffy. Spike knows after this encounter, though, that she's not close to that breaking point yet, which is why he is so depressed when telling Drusilla what happened at the end of the episode. I have one minor complaint about Spike, but only one. He says to Angel, "you were my sire, man, my Yoda!" Well, we find out in Fool for Love (5x07) that Drusilla was Spike's sire, not Angel. This lapse in contuinity could be explained by assuming that when he said 'sire' he meant 'mentor.' The end of that line about Angel also being his 'Yoda' would make this theory plausible. This is mostly an action episode, with little character development (aside from Spike and Drusilla) involved. If you had just given me that outline before I'd actually seen this, I would have predicted this episode would suck. Spike and Drusilla completely save the day, though, and bring interesting plotting to a show that already has fantastic character development. This series is finally putting the pieces in play for what could be a powerful season (and it turns out, is a powerful season).
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| + | The quick establishment of the fact that Spike is very dangerous. He mentions early on he off-ed a Slayer during the Boxer Rebellion. We actually see this fight happen on screen in Fool for Love (5x07). Later on in this episode we find out he's actually killed two Slayers in the last century. | | + | Drusilla's doll collection and hobby only make her more creepy. | | + | Joyce telling Buffy she doesn't want to be disappointed in her again. Ouch. That's got to hurt, especially since Buffy doesn't want her mother to feel that way at all. | | + | The song playing in the background at The Bronze during the Spike scene is perfect for setting the appropiate mood. | | + | Xander's "hot potato" endeavor while digging through Buffy's purse to find a stake. He puts her yo-yo quickly aside but frantically drops the tampon like it's a hand grenade about to explode. | | + | Joyce's "in the car, now" sounded exactly the way my mom would say that to me when she was really angry with me, back in the day. | | + | The music in this episode is noticeably better than anything that had come before it. | | + | Spike snapping the neck of a man instead of feeding on him. This is brutal and new. | | + | Spike says to Buffy, "I smell the blood of a nice ripe girl." This, in combination with the tampon Xander had earlier pulled out of her purse, leads me to believe that she's in her menstrual cycle. This is a clever way to keep her character realistic. |
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- Every time the "Welcome to Sunnydale" sign falls over it is Spike's fault. I believe we see this happen again when he returns to town in Lover's Walk (3x08) and again at the end of the series finale, Chosen (7x22).
- Drusilla says she can't see Buffy's future and that "it's dark where she is." I take this as meaning that Buffy's future is uncertain, which is consistent with all the unusual and unprecedented stuff that happens to her throughout the series.
- When Spike checks Buffy out for the very first time at The Bronze, dancing, the look on his face shows that he's absolutely captivated by her. He has an instant attraction to her which you can see him visibly have to snap out of to remember what he's there for. This initial flare for her makes his crush with Buffy, beginning in a dream in Out of My Mind (5x04), incredibly believable and very much in character. It also sets up the moment when he comes to Buffy for help in Becoming Pt. 2 (2x22).
- "In a few week's time...the stars will align, and smile down on us." Spike brought Drusilla to the hellmouth to restore her strength. They obviously need to wait for the stars to align a certain way in order to help her. This line is a setup for their plans which begin with the stealing of one of Giles' books in Lie to Me (2x07), then moves on to the stealing of the decoder cross in What's My Line? Pt. 1 (2x09), and then ends in the execution of the actual ritual in What's My Line? Pt. 2 (2x10).
- Buffy gets very determined to complete a task when she sets her mind to it. Her line, "what am I forgetting," reminds me of her episode-long quest to simply have a successful Thanksgiving dinner in Pangs (4x08), at all costs.
- Angel's line to Spike, "I'm not much for company," and Spike's retort, "you never were," begins to paint a picture of what Angel was like before he got his soul. We find out in many future BtVS and AtS episodes that Angelus hates killing with others. He sees murder as art and takes pleasure in torture.
- Principal Snyder finally reveals that he knows a lot more than he's letting on. You can tell the police guard and Snyder are wary of releasing any truthful information to the public. This behavior stems from the Mayor of Sunnydale wanting them to keep quiet so attention isn't drawn to him, as his ascension is coming next year. This episode begins planting the seeds that will grow during S3.
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| XANDER: | As long as nothing really bad happens between now and then, you'll be fine. | | BUFFY: | Are you crazy? What did you say that for? Now something bad is gonna happen! | | XANDER: | Whadaya mean? Nothing's gonna happen. | | WILLOW: | Not until some dummy says, 'as long as nothing bad happens.' | | BUFFY: | It's the ultimate jinx! | | WILLOW: | What were you thinking? Or were you even thinking at all? |
| SPIKE: | (appears behind them) *You* were *there*? Oh, please! If every vampire who said he was at the crucifixion was actually there, it would have been like Woodstock. | | Vampire#1: | I oughta rip your throat out. | | SPIKE: | I was actually at Woodstock. That was a weird gig. I fed off a flowerperson, and I spent the next six hours watchin' my hand move. |
| GILES: | This Saturday's going to need a great deal of preparation. | | WILLOW: | Well, we'll help. | | XANDER: | Yeah, I'll whittle stakes. And while I'm whittling, I plan to whistle a jaunty tune. |
| BUFFY: | I was being cool. C'mon, you've been dating for, what, like, two hundred years? You don't know what a girl means when she says maybe she'll show? | | WILLOW: | Wow, two centuries of dating. If you only had two a year, that's still, like, four hundred dates with four hundred different... (looks at the mace on the table) Why do they call it a mace? |
| BUFFY: | Cordelia, I have at least three lives to contend with, none of which really mesh. It's kind of like oil and water and a... third unmeshable thing. |
| JOYCE: | Well, I believe that I have seen every classroom on campus, and just as I get there all your teachers miraculously have stepped out. | | BUFFY: | Oh! Oh. Um, but you haven't seen the boiler room yet. And, you know, that's really interesting, what with the boiler being in the room and all. |
| BUFFY: | Do we really need weapons for this? | | SPIKE: | I just like them. They make me feel all manly. |
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95
/100
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A |
A sharply written episode consisting of zero major mistakes. Usually develops characters in a meaningful manner and is a joy to watch on repeat viewings. Near perfect, but not quite there. |
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